没有和解
影片信息
- 主演：Heinrich Hargesheimer,Carlheinz Hargesheimer,Martha Staendner,达尼埃尔·于伊耶,Henning Harmssen,Ulrich Hopmann,Joachim Weiler,Eva-Maria Bold,Hiltraud Wegener,Ulrich von Thüna,Ernst Kutzinski,Karl Bodenschatz,Heiner Braun,Georg Zander,Lutz Grubnau,若阿内斯·巴尔斯基,保罗·埃塞尔
- 导演：让-马里·斯特劳布,达尼埃尔·于伊耶
- 状态：HD
- 年份：1965
- 地区：其它
- 类型：剧情/
- 上映：未知
- 语言：其它
- 豆瓣评分：9.0 分
- 简介： The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
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剧情简介
没有和解是由让-马里·斯特劳布,达尼埃尔·于伊耶导演的剧情片。领携主演：让-马里·斯特劳布,达尼埃尔·于伊耶
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
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评论
共 881 条评论-
布鲁斯李 67.130.217.207对于韩国演员一个不认识，对于这不电影来评价挺好看。不过就是不知道你们的韩国欧巴会不会对你们的评价露出鄙夷的表情！！只是一部挺好的电影，至于让你们对自己的国家民族产生这么大的质疑，甚至是深恶痛绝得谩骂，侮辱和鄙视么？这只是一部电影！ -
雨潇潇 58.243.0.191敢于揭露人性深处的阴暗 -
闲逛 217.181.234.198总是发呆 发呆发呆 跑不跑跑不跑！！到底跑不跑？？！ -
寂絲 225.145.199.4（有剧透）观影过程中曾有几次都想放弃不看了，不是因为不好看，相反是因为节奏气氛实在太紧张心脏快受不了了，虽然自己是个已看过无数丧尸片恐怖片血腥片的人了，结尾爸爸临死前想起女儿出生时抚摸婴儿脚丫的片段让我泪奔，这段只有为人父母的人才能感同深受吧。 -
南风知霜 68.14.156.93真是冷酷。和《温暖的尸体》很像相反的角度呢。人的冷酷和丧尸的温情。却又使我想到《一九四二》。